The International Federation of Coalitions for Cultural Diversity (IFCCD) is the voice of cultural professionals around the world. It brings together some thirty organizations representing creators, artists, independent producers, distributors and publishers in the book, film, television, music, live performance and visual arts sectors.
The Federation is incorporated in Canada and its General Secretariat is located in Montreal. The French Coalition for Cultural Diversity represents the IFCCD at UNESCO in Paris.
History and Mission
The International Federation of Coalitions for Cultural Diversity (IFCCD) was created as a result of a major mobilization of civil society in favour of the adoption and subsequent ratification of the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions.
The IFCCD was founded in Seville (Spain) on 19 September 2007 to replace the International Liaison Committee of Coalitions for Cultural Diversity (ILC). This Committee was created in 2003 at the initiative of the Coalitions for Cultural Diversity to facilitate cooperation and the development of common positions and actions. In particular, the ILC encouraged the elaboration of UNESCO’s Convention on the Protection and Promotion of the Diversity of Cultural Expressions by coordinating the participation of civil society representatives and professionals from the cultural sector in international negotiation sessions.
Since its foundation, the IFCCD has organized several ratification campaigns for the Convention in Asia Pacific, South America, Europe and Africa, and has supported the organization of numerous events to promote the diversity of cultural expressions.
It held its international congress in Salvador de Bahia (Brazil) in 2009, Bratislava (Slovakia) in 2012, Mons (Belgium) in 2015, Montreal (Canada) in 2018, Lomé (Togo) in 2019.
To know more about the history and the mission of the IFCCD, read the document A movement for the diversity of cultural expressions.
The IFCCD now has the task of coordinating civil society efforts for the implementation of the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions.
Article 11 of the Convention recognizes the fundamental role of civil society in protecting and promoting the diversity of cultural expressions. Since its creation, the IFCCD has played a leading role within the platforms available to civil society to represent its voice in UNESCO’s governing bodies.
The IFCCD supports the action of its members through research, tools or events that enable civil society to ensure vigilance and participation in debates and work that have an impact on the diversity of cultural expressions: revision of laws on culture, trade negotiations, discoverability of local content, etc.
The IFCCD also promotes the participation and consultation of its members and civil society in the meetings of the Convention’s monitoring bodies.
At the Lomé Congress in October 2019, members defined the IFCCD’s priorities for the coming years.
• Inform civil society of the importance of cultural exemption clauses in international trade agreements;
• Ensure that all States refrain from making liberalization commitments on cultural goods and services during bilateral, regional or international trade negotiations.
Diversity of Expressions in the Digital Age
• Defend the capacity of governments to put in place policies to protect and promote the diversity of cultural expressions on the Web;
• Promote the availability and visibility of local cultural content;
• Contribute to the improvement of knowledge on the diversity of cultural expressions in the digital age in the field of data.
Mobilization of Civil Society
• Encourage and support the formation of national coalitions and national groupings committed to the protection and promotion of the diversity of cultural expressions;
• Support cooperation among members at the regional level to ensure that actions are implemented that respond to regional challenges;
• Mobilize research groups around the challenges of the diversity of cultural expressions, particularly the various UNESCO Chairs.
Links With UNESCO
• Ensure the active participation of the IFCCD in the implementation of the Convention;
• Involve the IFCCD in the work of the Convention’s monitoring bodies and support actions that strengthen its implementation at the national, regional and international levels.
Board of directors
Guillaume Prieur is the president of the IFCCD. A graduate in public law from the University of Rouen and political science from the Institut d’Etudes Politiques de Paris, he is the Director of Institutional and European Affairs of the Société des Auteurs et Compositeurs Dramatiques (SACD), the oldest authors’ society in the world founded by Beaumarchais in 1777. He is the General Secretary of the French Coalition and the European Coalitions for Cultural Diversity.
Alejandra Díaz is the Vice-President of the Americas and representative of the Paraguayan Coalition for Cultural Diversity. Since 2005, she has supported the actions for the approval of the Convention, its ratification in Paraguay (LAW Nº 3229/2007), promoted the creation of the Paraguayan Coalition for Cultural Diversity (2006) and participation in the IFCCD World Congresses. Dancer, Choreographer and Teacher, she has created more than twelve original multidisciplinary independent works. Co-founder and artistic director of the Asociación Cultural Crear en Libertad (1996), member of the Mesa Técnica de Artes Escénicas of the Secretaria Nacional de Cultura Py (2018), she also collaborates in several international networks, such as the Ibero-American video-dance network REDIV, the Latin American festival network SINERGIA and the Ibero-American network EFIBERO.
Mahamadou Adamou is Vice-President Africa of the IFCCD and president of the Niger Coalition for Cultural Diversity. After completing his studies at the Université Libre de Bruxelles, Mahamadou Adamou became a cultural journalist at the National Broadcasting and Television Office of Niger (ORTN), of which he was then appointed Executive Director from 2003 to 2007. He was then appointed Communication Advisor to the President of the High Court of Justice of Niger from 2007 to 2010. It is during this period that he became a member of the Niger Coalition for Cultural Diversity created in 2005. He became President of the Niger Coalition just before the 2nd IFCCD Congress in 2009. Appointed in 2010 as Communication Advisor to the National Assembly of Niger and then in 2011-2018, Executive Director of the National Publishing and Press Office (ONEP), which publishes the newspapers: the National Daily of Niger and the Weekly. In 2019, he became Special Advisor on Communication to the Prime Minister of Niger.
Rowan Woods is an Australian screen director and President of the Australian Directors Guild (ADG). He is also Coordinator of the Australian Coalition for Cultural Diversity (ACCD), ), consisting of major Australian screen organizations, guilds, and collection agencies. He recently completed a 6-year stint as Head of Directing at the Australian Film Television and Radio School (AFTRS) and is currently completing a PHD at the University of Technology in Sydney. Rowan Woods’ debut feature film THE BOYS premiered in competition at the Berlin Film Festival (1998) and won Best Director at the Australian Film Institute (AFI) Awards. His second feature film LITTLE FISH (2005) starred Academy Award winner Cate Blanchett and Hugo Weaving and was nominated for 13 AFI Awards. Rowan Woods has also directed many TV and streamed series. Highlights include: an ADG Award for Best Direction in a Telemovie for THE BROKEN SHORE (2013); Special Jury Prize at Series Mania for THE KETTERING INCIDENT (2016); and a BAFTA for NOWHERE BOYS (2019).
Manassé Nguinambay Ndoua
NGUINAMBAYE NDOUA Manassé is Director of the National Library of Chad, President of the Chadian Coalition for Cultural Diversity, Artistic Director of the “NdjamVi” International Music Festival and Professional Encounters, and of the Ndjam Hip-Hop Festival. He is also coordinator of RECAF, an organization whose mission includes: serving as a platform for education, training and professional meetings; enhancing and promoting artistic, cultural and literary values through creation, production and dissemination. Finally, he is also responsible for the Espace de création et d’accompagnement artistique (ECAA), a structure whose mission is to guide artists in the research and creation of Chad’s diverse and untapped cultural wealth.
Holly Aylett is Director of the British Coalition & Secretary of the IFCCD. She is a research fellow at Birkbeck College London. She qualified with an MA in English Literature at Cambridge University, then worked as an independent filmmaker before lecturing in film and cultural studies. She was founding editor of Vertigo, UK’s leading independent film quarterly, sat on the Cultural Committee of the UK National Commission for UNESCO and led the pan-European study “Where are the Women Directors?” on gender equality in film (European Women’s Audiovisual Network, 2016).