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From regulation of online platforms to digital economic agreements: A state of play

Since January 2020, the IFCCD has partnered with the Groupe de recherche sur l’intégration continentale, attached to the Centre d’études sur l’intégration et la mondialisation (CEIM) of the Université du Québec à Montréal (UQAM), to produce an international watch on culture and e-commerce.

The February report firstly emphasizes the Digital Economic Agreements promoted by Singapore, as well as the perspectives of the enlargement of the Trans-Pacific Partnership (TPP). Secondly, it turns to several initiatives taken by public authorities in order to impose new regulations for online platforms. The focus will be on South Africa, Kenya, Indonesia, Australia, South Korea, France, and the European Union (EU).

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Online platforms and trade agreements in Asia: cultural and regulation issues

Since January 2020, the IFCCD has partnered with the Groupe de recherche sur l’intégration continentale, attached to the Centre d’études sur l’intégration et la mondialisation (CEIM) of the Université du Québec à Montréal (UQAM), to produce an international watch on culture and e-commerce.

The December report firstly focuses on the Regional Comprehensive Economic Partnership signed by China, Japan and 13 other countries in Asia and Pacific. Secondly, it analyses the initiatives taken by Indian government in order to impose new regulations for online platforms. Thirdly, it highlights the new guidelines that China intends to adopt seeking to curb the power of its biggest Internet companies. Finally, the report deals with Disney Plus and its launch in Latin America.

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Online platforms, culture and regulation issues in Africa

Since January 2020, the IFCCD has partnered with the Groupe de recherche sur l’intégration continentale, attached to the Centre d’études sur l’intégration et la mondialisation (CEIM) of the Université du Québec à Montréal (UQAM), to produce an international watch on culture and e-commerce.

The November report first analyzes the new proposals on the regulation of online platforms prepared by South Africa. Second, it focuses on the new strategies carried out by Netflix in the African continent and the place of regional online competitors. Third, it highlights a link in Netflix strategies between India and several African countries. Fourth, it emphasizes the concerns expressed by business groups regarding the new digital tax legislation of Mexico. Finally, it presents a state of play of ongoing discussions for the elaboration of three international instruments: a recommendation on ethics of artificial intelligence within the United Nations Educational, Scientific and Cultural Organization (UNESCO); the e-commerce negotiations within the World Trade Organization (WTO); and the negotiations on digital taxation within the Organization for Economic Cooperation and Development (OECD).   

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Ensuring level playing field in the digital market: a cross-national issue

Since January 2020, the IFCCD has partnered with the Groupe de recherche sur l’intégration continentale, attached to the Centre d’études sur l’intégration et la mondialisation (CEIM) of the Université du Québec à Montréal (UQAM), to produce an international watch on culture and e-commerce.

The October report comes back to the discussions around the new Australian code of conduct for online platforms, focusing on various concerns expressed by online platforms. In addition, it analyzes the political confrontation between global online platforms, public authorities and content creators in other national contexts. Moreover, it highlights both the talks within the European Union (EU) and the Organization for Economic Cooperation and Development (OECD) with respect to the digital services tax and the ongoing bilateral negotiations between the United States and the United Kingdom.  

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Global struggle for digital tax and level playing field

Since January 2020, the IFCCD has partnered with the Groupe de recherche sur l’intégration continentale, attached to the Centre d’études sur l’intégration et la mondialisation (CEIM) of the Université du Québec à Montréal (UQAM), to produce an international watch on culture and e-commerce.

The September report focuses on six interrelated issues: (1) the discussions around the new Australian code of conduct for online platforms; (2) the discussions in Europe related to the dominant position of Google and Facebook; (3) the political confrontation between the US administration and several national governments regarding the adoption of digital services taxes; (4) the Digital Economy Agreement between Australia and Singapore, as well as (5) the trade negotiations between Japan and the United Kingdom. (6) Finally, Jérôme Pacouret, researcher at the University of Quebec in Montreal, provides an analysis regarding Brexit and the perspectives from British cultural actors, focusing on copyright and the Creative Europe program.

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Governing global digital trade in the age of the COVID-19 pandemic

Since January 2020, the IFCCD has partnered with the Groupe de recherche sur l’intégration continentale, attached to the Centre d’études sur l’intégration et la mondialisation (CEIM) of the Université du Québec à Montréal (UQAM), to produce an international watch on culture and e-commerce.

The sixth edition focuses on six interrelated international issues: (1) the plurilateral negotiations on electronic commerce; (2) the efforts of powerful business associations to promote new digital trade rules; (3) the political confrontation between the US administration and several national governments regarding the adoption of digital services taxes; (4) the multilateral negotiations on digital taxation; (5) the Digital Economy Partnership Agreement between New Zealand, Chile and Singapore, as well as (6) the trade negotiations between the US and the UK.

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Global online platforms, the winning actors of the great lockdown? The case of the music industry

Since January 2020, the IFCCD has partnered with the Groupe de recherche sur l’intégration continentale, attached to the Centre d’études sur l’intégration et la mondialisation (CEIM) of the Université du Québec à Montréal (UQAM), to produce an international watch on culture and e-commerce.

The fifth edition analyzes the effects of the great lockdown on the strategies of global online platforms in the music industry.

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Online platforms and culture: the winning actors of the great lockdown?

Since January 2020, the IFCCD has partnered with the Groupe de recherche sur l’intégration continentale, attached to the Centre d’études sur l’intégration et la mondialisation (CEIM) of the Université du Québec à Montréal (UQAM), to produce an international watch on culture and e-commerce.

The fourth edition examines how the great lockdown has increased the power of video-on-demand platforms in the global cultural market.

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Global trade facing neo-mercantilism: cultural issues

Since January 2020, the IFCCD has partnered with the Groupe de recherche sur l’intégration continentale, attached to the Centre d’études sur l’intégration et la mondialisation (CEIM) of the Université du Québec à Montréal (UQAM), to produce an international watch on culture and e-commerce.

The third edition focuses on the place of culture in the European Union’s new economic partnerships.

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From WTO negotiations on e-commerce to African free trade area: A state of play

Since January 2020, the IFCCD has partnered with the Groupe de recherche sur l’intégration continentale, attached to the Centre d’études sur l’intégration et la mondialisation (CEIM) of the Université du Québec à Montréal (UQAM), to produce an international watch on culture and e-commerce.

The second edition of this watch deals with plurilateral negotiations on e-commerce and looks in particular at the African Continental Free Trade Area.

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The review of audiovisual policy in Europe : Betweeen cultural sovereignty and digital globalisation

Since January 2020, the IFCCD has partnered with the Groupe de recherche sur l’intégration continentale, attached to the Centre d’études sur l’intégration et la mondialisation (CEIM) of the Université du Québec à Montréal (UQAM), to produce an international watch on culture and e-commerce.

The first edition of this watch deals with the reform of the European Union’s audiovisual policy.

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